Archive for the ‘online video’ Category

  • Between Fantasy & Reality: Dels’ “Trumpalump” Promo

    31st March 11

    Posted by Mel Exon

    Posted in music, online video

    Author: EmmaLou Johnson (@emmaloujohnson), for Mint Source (@mint_source)

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    The promo for Dels’ “Trumpalump” looks at the space between fantasy and reality and very cleverly focuses on a line from the track, as the directors behind the promo explain it:

    “Our process of generating ideas always starts with the lyrics. With Dels it helps massively that his lyrics create such vivid images, for example in Trumpalump we took inspiration from his line ‘do we dream in colour or black and white?’..” ….ooh, how very Inception.

    It’s directed by us, AKA Christopher Barrett & Luke Taylor, double D&AD award winners, who also run their own multi-disciplinary graphic design and branding studio, alongside shooting promos and commercials with Academy Films.

    You must watch the promo through to the end, as the more it goes on, the cleverer it gets. Shot on a shoestring, made possible by using mates (the twin girls are friends of Dels) and by doing everything in-camera…no possibility of an Inception-style post prod budget in the promo world these days! And that’s precisely what makes the piece so exciting and inventive. Out goes budget; in comes creativity.

    If you like this, check out the Making Of too:

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    Mintsource is BBH’s internal initiative to provide BBH with an opportunity to seeing fresh, alternative and up and coming talent.  A kind of director’s showcase for the ‘unusual suspects’ in the film directing and animation world.

  • Like this – Bob Dylan ‘demos’ Google Instant

    8th September 10

    Posted by Ben Malbon

    Posted in awesomeness, online video

    More kudos to the folks at Google’s Creative Lab for this short film.

    And here’s a little more info on Instant, if Bob’s demo leaves you slightly confused. Apparently Google Instant will save 350 million hours of user time per year.

  • ‘The Best Camera is the One You Have With You’ . . . introducing the iOScars

    21st July 10

    Author: Seth Weisfeld, Digital Creative Director, BBH New York (@seth_weisfeld)

    “The best camera is the one you have with you.” (Chase Jarvis, see: http://j.mp/ad29YM)

    Powerful technologies and tools for creativity and filmmaking used to be exclusively in the hands of professionals. The cost of entry was high and the learning curve steep. With the recent launch of Apple’s 4th generation iPhone, consumers can now carry in their pockets a device fully capable of capturing, editing and publishing HD videos. This is an exciting prospect – no more grainy, pixelated, thumbnail-sized videos of our funniest or most beloved moments or the latest breaking news story.

    ioscars_phones

    Imagine what Gordon Gekko could achieve with this.

    Only a few short days after iPhone 4 hit the marketplace, an exceptionally impressive example of the film-making potential of the device surfaced. This film, “Apple of My Eye” directed by Michael Koerbel, was shot and edited entirely on an iPhone 4 in under 48 hours.

    “Apple of My Eye” – an iPhone 4 film – UPDATE: Behind the scenes footage included from Michael Koerbel on Vimeo.

    Read full post

  • “BIG BANG BIG BOOM: an unscientific point of view on the beginning & evolution of life … & how it could probably end.”

    7th July 10

    Everything about this is excellent. And it just gets bigger & better . . .

    BIG BANG BIG BOOM – the new wall-painted animation by BLU from blu on Vimeo.

    direction and animation by BLU
    blublu.org
    production and distribution by ARTSH.it
    artsh.it
    sountrack by ANDREA MARTIGNONI

  • ‘Summer Hours’, a short film about warm sun, cool water & a few mosquitoes, by Jeff Scher

    6th July 10

    “Do what we can, summer will have its flies:

    if we walk in the woods, we must feed mosquitoes:

    if we go a-fishing, we must expect a wet coat.”

    — Ralph Waldo Emerson

    I was lucky enough to meet Jeff Scher this weekend, a ridiculously talented & leftfield painter, animator and experimental film maker from DUMBO, in Brooklyn. Jeff’s works are in MoMA, and have been screened at film festivals around the world. He also teaches at the School of Visual Arts and at N.Y.U. Tisch School of the Arts. I knew we were going to get on when – within 10 seconds of meeting, literally – he was walking me through his top 10 photography apps for the iPhone. I had no idea my collection of apps was so conservative. (One ‘app’ consisted entirely of wobbling the iPhone violently during the shot, creating a weird kind of trippy effect as the camera’s software corrects for the distortion – try it; it’s cool how the iPhone tries to make sense of it).

    A selection of his films, “The Best of Times,” was just published as an iPhone and iPad app.

    Anyway, take a look at this, below. It’s beautiful, emotive and perfectly captures the magic of my favourite time of year: summer. More details about the film, in Jeff’s own words (as originally published in the NYT) are below the film on the NYT site. (click to play). Music is by Shay Lynch.

    Take a look at all Jeff’s work – http://fezfilms.net/

    This is one of my favourites of his previous films, ‘L’eau Life’.

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    And if you’re into it and want to find out more about Jeff, here’s a 5 minute documentary piece on YouTube.

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  • Violently elemental. Yet beautiful. Time-lapse of Eyjafjallajökull erupting, May 2010

    14th May 10

    Posted by Ben Malbon

    Posted in awesomeness, music, online video

    During the eruption of the volcano that no one can pronounce (or barely even spell) Sean Stiegemeier took his Canon 5D Mark II out and produced this rather ace short film, set to music sung by Jónsi (lead singer of Icelandic band Sigur Rós).

    We like the ethereal music mashed up with something that is, essentially, destructive. Violently elemental. Yet beautiful.

    For best effect set to HD and then go full-screen. Turn it up.

    Iceland, Eyjafjallajökull – May 1st and 2nd, 2010 from Sean Stiegemeier on Vimeo.

    He notes on his Vimeo page (full of other very cool projects – check it out):

    “So I saw all of these mediocre pictures of that volcano in Iceland nobody can pronounce the name of, so I figured I should go and do better. But the flights to get over took forever as expected (somewhat). 4 days after leaving I finally made it, but the weather was terrible for another 4. Just before leaving it got pretty good for about a day and a half and this is what I managed to get.

    Wish I had more time. I missed all the cool Lightning and the Lava of the first eruption. But I figure this will just be a trial run for another day.

    I am of course accepting sponsors to send me back there for more please…!! haha

    Music: Jónsi – Kolniður (jonsi.com)
    Canon 5d mkII
    HUGE thanks for the Motorized Dolly via MILapse (vimeo.com/milapse). Details are to come soon so stay tuned…

    © Sean Stiegemeier
    in-perfidia.com

    Many thanks to @finnbarrw for the heads-up.

  • What do you get when you put together a hamster, a cuckoo clock & Fats Waller?

    21st April 10

    Posted by Ben Malbon

    Posted in creativity, online video

    Everyone at BBH New York is excited about the new work we’ve just launched for Google’s Chrome browser, follow-ups to the work we produced at the end of 2009.

    The first film is for Chrome Extensions, and demonstrates how users can personalize their browser. The music used is Fats Waller’s (Do You Intend to Put an End to) A Sweet Beginning?

    The second film is for Chrome Translate, the range of translation features that are built in to Chrome, and that enable users to seamlessly translate Internet pages from one language to another.

    Both of these films are quite unlike most other tech product demos. They use lo-fi, hand-made elements and simple metaphors to show how the products work. There’s no hype. No extravagant claims. We instead try and keep everything simple.

    As with our previous work for Chrome at the end of 2009, we worked with the extraordinary production team at 1st Avenue Machine in New York. The films were directed by 1st Avenue Machine’s Aaron Duffy & Tim Brown.

    We hope you enjoy them. They look particularly great in HD on YouTube (click through the videos and then select the HD button).

    And watch out for more new work for Google to come in the next few weeks.

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    Credits

    Client: Google EMEA

    Titles: Google Chrome Extensions/Translate the Internet with Google Chrome

    Agency : Bartle Bogle Hegarty New York

    CCO: Kevin Roddy

    ECD: Calle Sjoenell, Pelle Sjoenell

    AD/CW: Maja Fernqvist

    AD/CW: Joakim Saul

    Head of Broadcast: Lisa Setten

    Senior Producer: Melissa Bemis

    Business Director: Ben Malbon

    Acct. Manager: Rossa Hsieh

    Production Company: 1st Avenue Machine

    Director: Tim Brown

    Co-Director: Aaron Duffy

    DP: Zak Mulligan

    Exec. Producer: Sam Penfield

    Line Producer: Keely Gould

    Editorial Company: Lost Planet

    Editor: Charlie Johnston

    Assistant Editor: Christopher Huth

    Exec. Producer: Krystn Wagenberg

    Producer: Meagen Carroll

    Telecine: Company 3

    Telecine Artist: Billy Gabor

    Online Facility: Black Hole

    Online Editor: Tim Farrell

    VFX Company: Black Hole

    Producer: Tim Vierling

    Audio Facility: Plush

    Audio Engineer: Rob Fielack

    Music: Extensions

    Music Supervisor: Sara Matarazzo, Anna Lasxurain & Stephanie Diaz-Matos

    Title: (Do You Intend To Put An End To) A Sweet Beginning Like This

    Artist: Fats Waller

    Music: Translate

    Music Supervisor: Sara Matarazzo, Anna Lascurain & Stephanie Diaz-Matos

    Title: Plastic Sunshine

    Composed by: Steven Stern and Stuart Hart

  • A Day in the Life of New York City, in miniature

    27th February 10

    Posted by Ben Malbon

    Posted in awesomeness, online video

    The Sandpit from Sam O’Hare on Vimeo.

    This is a stunning piece of film, shot by Sam O’Hare in NYC, in miniature and using a shallow depth of field. Worth noting right at the outset that the tilt-shift effect was faked in post (but the overall effect is far from lessened because of this).

    For best results hit HD and watch in full screen. And turn it up.

    There’s a really great interview with O’Hare here, on the Aero Film site. Here’s a sample, in which O’Hare talks about the equipment he used in putting this together. It involved over 35,000 stills.

    screen-shot-2010-02-27-at-71705-am

    The music is perfectly matched. It was specially written by Rosi Golan and Alex Wong, and composed by Human.

    If you watch carefully there are some priceless moments, usually involving tiny characters doing things that look other-worldly when viewed in this way (I particularly like the scene in which someone sneaks out on their roof – this is shot in the height of the hottest part of the summer of 09 – to have a quick cigarette). One of the slightly odder things about the film is that despite seeing hundreds of people across the five minute piece, we don’t see a single face. This adds to the surreal, almost fake quality of the film.

    Thanks to @finnbarrw for the heads-up.

  • Work we like – Nike’s ‘The Game is Never Over’

    22nd September 09

    Wonderful lo-fi (yet somehow, strangely hi-fi) work from Nike for their new Patrice Evra football commercial, ‘The Game is Never Over’.

    Everything about it is right. Awesome.

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