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  • Author archive

    • Majority report: looking through the digital hype

      24th January 12

      Posted by Mel Exon

      Posted in transformational change

      This post originally appeared as an article in Viewpoint at the end of 2011. Briefed to one of BBH London’s smartest strategists, Ed Booty, as a deliberate polemic, it’s a provocative argument designed to question our assumptions about the constant pace of change. We like being challenged (we enjoyed Matt Edgar’s post last year along similar lines) – please let us know what you think in the comments.

      Author: Ed Booty, Strategy Director, BBH London

      Image: Seattle Space Needle, by Patricia Kranenberg (via Flickr under a Creative Commons licence)

      It is commonly accepted that a digital revolution is afoot. We have entered a brave new networked world. Individuals are empowered, social movements cannot remain contained and knowledge is free to all. Data is making our world more intuitive, bespoke and rewarding. We are mobile, always on, always entertained and hyper-social.

      Things appear to be going swimmingly and never has the future been so clearly mapped out for us. It’s sexy, creative, inclusive and exciting. It’s one big SXSW festival.

      Nothing new so far, and it does all sound rather good.

      Maybe it’s too good to be true?

      Unfortunately it is.

      Advance apologies to neophytes, digital evangelists and west coast entrepreneurs. It’s time for a reality check. The speed, scale and depth of the so-called digital revolution has been wildly exaggerated.

      What has caused this mirage of revolution?

      Behind the hype, what might a more realistic vision of a digital world be? Read full post

    • I Feel For You

      13th January 12

      Posted by Mel Exon

      Posted in culture, strategy

      Jules et Jim (1962, Francois Truffaut)

      Author: Jim Carroll, Chairman, BBH London

      I was watching the splendid Truffault film, Jules et Jim. There’s a scene in which Jules, courting the mercurial Catherine, endeavours to impress her.

      ‘Catherine, I understand you’, he says.

      Catherine replies,’ But I don’t want to be understood.’

      I paused for thought. Don’t we spend our lives trying to understand consumers? What if, like Catherine, they don’t want to be understood? Understanding implies explanation, logic, rationality. And, critically, it suggests control. Which is precisely, I suspect, why Catherine didn’t want to be understood.

      As a young Planner I’m not sure I completely understood the behaviour, ethics and attitudes of British consumers. But I did feel a strong sense of empathy with them. I felt for them in a way. I wonder now whether I’ve lost some of that natural, instinctive judgement. I wonder whether, in a data fuelled world, we have a diminished regard for feelings in our engagement with consumers.

      A friend of mine occasionally dismisses films she did not enjoy with the simple assertion that she ‘did not feel it’. As an Anglo Saxon I was originally somewhat nonplussed. Surely a fuller explanation would help? Similarly we were always taught to grill Clients on their responses to work, to demand that they account for their instinctive immediate reactions. Now I wonder whether I have been wrong on both counts: in the way I expect my friends to assess movies and my Clients to judge work.

      Shouldn’t  feelings always trump understanding? Shouldn’t feelings suffice?

      Do you ever find it a little sinister when modern marketers promise to translate data into knowledge, and knowledge into sales? I do. I confess ‘hidden persuasion’ has never been my bag. I don’t aspire to that level of control.Of course we all want the web to be all-knowing, but should I want it to know all about me? Personally I don’t want the web to know me; I want it to feel me. And I find the prospect of an empathetic, all-feeling web increasingly attractive.

      Who am I to talk? I’m generally uncomfortable with unfiltered emotional expression. I shudder at the prospect of corporate hugs. Nonetheless, I return to work with a modest resolution: in 2012 I want to base more of my judgements on empathy and feeling, rather than on logic and understanding. And I’d like the web to do the same please.

      Chaka was, as ever, right all along. ‘I feel for you’…

    • Supplying Monsters, Telling Stories

      15th December 11

      Posted by Mel Exon

      Posted in business models, storytelling

      Hoxton Street Monster Supply Store interior (photo: www.monstersupplies.org)

      At Labs we like nothing more that creativity put to good use (reference our love for ichainsawsglovesdesign-led activism and fightwear with a social mission). Chuck in some Mortal Terror and we’re yours.

      With the recent launch of their online shop, www.monstersupplies.org, our friends at Hoxton Street Monster Supplies have extended what is essentially an imaginative, immaculately designed fund-raising platform. It’s all in aid of Ministry of Stories, a creative writing non-profit which is supported by all proceeds from the shop.

      If you need to stock up on Zombie Fresh Mints or my personal favourite, a tin of “A Vague Sense of Unease”, Hoxton Street Monster Supplies is the site for you.

      A Vague Sense Of Unease, available at http://www.ministryofstories.org/

      And, hey, the holidays are upon us, so satisfy the buying-spree beast within with a little monster-based goodness – just make sure you get your order in by this Friday 1pm (GMT), if you want to make last orders before Christmas.

      Behind the shop at 159 Hoxton Street, through a hidden door, the Ministry of Stories exists to help young people in East London learn how to be storytellers. Which, as @jeremyet always likes to say, is where the magic happens.

      Ministry of Stories Writer (photo: http://www.ministryofstories.org/)

      You can shop online here or volunteer to help at the Ministry of Stories here.

      Credits:

      The website was created “by a small group of unpaid humans in their spare time”: design by Gavin and Jason Fox, build by Simon Pearson, project management by Chris Meachin, user experience by Mike Towber; and art direction by We Made This.

      monstersupplies.org

    • #WaterRun: For The Win-Win

      28th November 11

      Posted by Mel Exon

      Posted in collaboration, People

      Author: Mareka Carter, @marekacarter, Creative, BBH London

      What’s #WaterRun?

      Many people living in villages in Sub-Saharan Africa have to walk c. 5 km every day just to collect clean water.

      #WaterRun is about running (or walking, if that’s more your thing) the same distance, our aim to raise enough money to build 30 new wells in the region.

      5 km takes about an hour’s walk a day; for many of us it’s the equivalent of walking or running into work, instead of taking public transport – see what we did there?

      Log your runs and donate here: waterrunproject.com. If you’re a Water Runner, you could donate the money you’ve saved not using public transport, if you’re a Supporter you can donate, well, as much as you feel able.

      It’s something for everyone, not just the creative and tech community: we’d love everyone’s Mum and Dad, Mom and Pop, Mama and Papa to get involved too.

      Think of it as a win-win, ‘pre-tox’ cleanse before the debauchery of the holiday season kicks in - or, if you’re in the States, a quick post-Thanksgiving fitness drive – a chance to do some good towards others and yourself in the process.

      Why are we doing this?

      You will have seen news coverage of the widespread famine in East Africa and very possibly heard about the 50/50 project launched in response by our friends at Made by Many, hatched with Good for Nothing. If you haven’t: each project on the collaborative platform combines fund-raising with digital goodness, aiming to engage a network of supporters to help spread the word and generate as much money for as possible for UNICEF famine aid. Like our brothers and sisters at BBH NY, we knew we wanted in the moment we heard about it.

      Those links again:

      Log your runs and make a donation here: www.waterrunproject.com.

      Follow us on Twitter: @Water_Run, #WaterRun

      Find us on Facebook here.

      And check out the raft of other amazing initiatives for 50/50 here: 5050.gd

      #WaterRun starts now, but you can join in whenever you want. Do it once, or you can do it every day for the next few weeks – it’s up to you. The main thing is to keep logging your distances on the super simple website and telling the world about it, so together we can send the total raised sky high.

      Thank you. Happy Water Running!

    • 99% Attitude

      11th November 11

      Posted by Mel Exon

      Posted in culture

      Kotka @ Club Re, Krakow

      Author: Nicky Vita (@stellavita), Strategy Director, BBH London

      A few weeks ago, I was at the Temple Synagogue in Krakow’s historical Jewish district, Kazimeirz. It was the closing night for Unsound, an avant-garde music festival with the central theme of “Future Shock”.

      As a whole, Unsound deliberately defies expectations – about how music should sound, how music genres should/ shouldn’t fit together, who should be collaborating, whom we expect to create modern music or art and even what ‘modern music’ actually means.

      This – along with the music – got me thinking about a project I’ve been working on for client of ours, around ‘the lofty subject of human progress’ and what this means today. In a recent international survey, 96% of respondents agreed that‘It is important for me to continually improve as a person’. Ordinary people wanting to do extraordinary things.

      While the desire to move forward is not new, the context or the approach required to achieve this has shifted radically. In the past, the key ingredients were focus, stamina and the wherewithal to keep slogging until the finish line. Tow the line.

      And now? Well, there may not be a clearly defined ‘there’ or final end goal. There are fewer linear paths, one-way ladders and singular directions. The “tried & trusted” is no longer appropriate and all the rulebooks have been ripped up. Seemingly more than ever, people want to advance themselves. Technology is an especially great enabler. However, what you actually need to do to achieve this progress is less clear than ever before.

      At a global level, this thought is either hugely terrifying or massively exciting. And what emerges is that the key to ‘success’ today is having the right attitude. Glancing at modern role models and entrepreneurs across the world, it isattitude that they have in common. No rules means you can try anything, explore everything, break things up and put them together in completely different ways.

      Much of what I saw at Unsound reflected this attitude, so I thought I’d outline a few underlining principles for progressing in today’s modern world…

      Retain a youthful mindset.

      1960s pioneer Morton Subotnick & 1980s synth performers Chris & Cosey (ex-Throbbing Gristle) belonged at the festival as much as young, incoming acts such as Pontone (Poland) and Laurel Halo (USA). Curiosity, creativity and experimentation do not age.

      Keep it open.

      Music genres don’t sit in boxes. Or rather, amazing things can happen when you don’t assume that they should. Hype Williams threw together R & B, techno and dark ambient, coupled with constant strobe lights, to create a visceral, challenging performance. Trying different things and putting them together in unusual ways can create something special.

      Lantern Awareness.
      A wonderful term I picked up from Google’s Tom Uglow a while ago, speaking passionately about the wonderful things that could happen if we stopped focusing & opened up our awareness to the things going on around us. Every artist had taken a deliberate step away from his or her known individual sound and had nicked, borrowed or repurposed from the experiences around them. To capture this spirit, we’ve created team ‘Lantern Sessions’, as simple as a quick chat about the things that are exciting us or a good excuse to get out of the office and to an exhibition. Less focus creates more enhanced encounters.

      Be bold.

      With experimentation and exploration comes inherent risk. Some of what I saw and heard was massively improvised. Leyland Kirby’s mad video of his life on the road, wrapped up by a mimed rendition of Elton John’s ‘Can you feel the love tonight?” could have gone horribly wrong. It didn’t. Trying new things means allowing yourself to be at least a little open to potential failure.

      Live in the moment.

      For me, the entire festival was an immersive, immediate experience. This may sound obvious (being a music festival), but I came back feeling more excited about life because I’d allowed myself to be completely absorbed in an experience. If everyone there came away with this same feeling, you can feel confident that this will soon be manifested in a future performance, track or video. Soak up every encounter.

      Go with your gut.

      Everyone at Unsound was passionate about music. Not in a rational ‘let’s think about why this works’ way. It was much more of an emotional ‘how the music makes you feel’ way. Things were being put together in ways that were intuitive and based on gut impulses. Great things can happen when you go with the rhyme instead of the reason.

      It’s about substance.

      There were few ‘big names’ and while many of the artists were successful in their own right, at Unsound they were respected for their spirit, energy & experimentation in the moment. What you do matters more than what you have.

      Act like an entrepreneur.

      What makes an entrepreneur great is a bit of charisma. While many artists were there to perform, they were also there to create opportunities for future collaborations & endeavours, to show a difference side to themselves. Curiosity and a ‘can do, will do’ attitude is what made them interesting. Not so difficult is it?

      The closing down party…

      None of this might strike you as particularly groundbreaking. Steve Jobs spoke openly about the importance of connections, of being allowed to fail, of the opportunities that come up when you’ve tried different things. Einstein believed in experimentation and playfulness. Tom Uglow wondered what could happen if we all quit our jobs, played more and got closer to the edges. What is striking for me is that this attitude is shifting the way people think about progress at a universal level. This is not about the super elite, the super eclectic, the technologists at Google or Facebook or Labs, even. Sure, I am referencing some edgy artists, playing at a festival you’ve never have heard of. But we’re also talking about ordinary people wanting to apply this attitude to create extraordinary things.

      I think it’s tremendously exhilarating. Can you even begin to imagine the great things that would happen, the progress that would come about if we all lived this way?

    • Tale Torrent – The Prologue

      4th November 11

      Posted by Mel Exon

      Posted in Events

      Author: James Mitchell (@jamescmitchell), Strategist, BBH Labs

      Preparations for our night of storytelling for Internet Week Europe are almost complete. And with less than a week to go until Thursday the 10th, we thought we’d share a little preview info of some of our speakers. Tales will include…

      Simon Sanders – “Postcards ‘n’ mix-tapes, Skype ‘n’ status updates”
      Creative Strategist / www.simonsanders.net

      Basheera Khan“Tales from the Crypt-ograph”
      UX Architect, EMC Consulting / http://bash.posterous.com

      Katy Lindemann“Ye olde days of (web)logging: when it still began with a ‘w’ and people thought it would never take off…”
      Freelance Strategist / http://www.katylindemann.com/

      Rishi Dastidar / Matt Busher“Self Portrait Postcards”
      Senior copywriter, archibald ingall stretton… / Designer, mandatory thinking selfportraitpostcards.com

      Claire Burge – “From Mud Pies to Geek Chick”
      Photographer / www.claireburge.com

      It’s looking to be a lot of fun. It looks like we’re at capacity, with a heavy waitlist – but there is still one way to get in. We’ve still got space for a few micro-stories: that is, tales of five minutes instead of ten. So, if you have any internet incidents that you think might amuse and enthrall and you want to come, drop me an email at james.mitchell@bbh-labs.com in the next few days.

      And if you just can’t make it but want to tune in, watch this space – we’ll try to get a stream up and running on the night, right here.

      Until then,

      James

    • Tech interns, we need you.

      28th October 11

      Posted by Mel Exon

      Posted in BBH Labs, People

      Authors: Gabor Szalatnyai (Creative Technology) & James Mitchell (Strategy), BBH London & BBH Labs

      Here at Labs, we make a lot of stuff for other people and brands, but, now and then, we like to build experiments – additional stuff we love so much, we take extra time and pull late nights to see it done. We do this because sometimes, we want to test a theory,  because we want to test our capabilities, and because we want to make something cool.

      With one very special project, we’re ready to begin the making and we’re going to spend the next three months doing just that.  Which is why we we’d like some inspirational new talent to come and intern with us in London to help out.  We are embarking on a project with Rails and MongoDB on the backend and HTML5 on the front.  We would expect you to have previous projects using these, and if you are confident with CoffeeScript, Sass and Javascript game engines (craftyjs, gameQuery, renderEngine,) you’ll enjoy the coding even more.  We are managing source code with git on GitHub, so prepare your branching and merging skills too!

      But this role is about more than the build.  We’ll work iteratively on this, so we’ll be testing and learning as we go.  This means you’ll be working with the team to prototype, test, bend and break – modifying and bettering the experiment at every stage.  We’ll expect you to have a major impact on the idea itself.  You’ll have the freedom to implement any technical solution that solves the problem, to work with the entire team to make sure the thing doesn’t just happen, but happens better.

      Why work with us? Because we hope you’ll agree the project is cool, the team is a diverse and interesting one, and the use of data is, as far as we know, something that’s never been tried before.  And, at the end of it all, you’ll get to put your name against something very special.

      To apply, please send a nice message (with your GitHub username and/or some work) to **labs.intern@bartleboglehegarty.com**, and we’ll have a chat about what we’re trying to build.  If you have any more questions, drop them in the comments.  Thanks!

    • Internet Trends – Mary Meeker’s 2011 report

      21st October 11

      Posted by Mel Exon

      Posted in data, digital

      Author: Adam Powers, Head of UX, BBH London

      KPCB Internet Trends (2011)

      This week ex-Morgan Stanley research analyst, now at KPCB, Mary Meeker delivered her latest Internet Trends presentation. As always, Mary’s distillation of trends is always good value and genuine insights are peppered throughout.

      For the time starved amongst you, here are some highlights:

      World view:

      • Though still with some ground to make up, it’s striking the number of Chinese and Russian internet companies popping into the global top 25.

      • What’s more, between 2007 and 2010 China accumulated 246million new internet users – that is more than exist within the USA.

      Mobilising the people:

      • Mary notes that even in recessionary times breakthrough technology and services can breakout. One need only look at the extraordinary first weekend sales of Apple’s iPhone 4S to confirm this.

      • 2010 QTR 4 saw more mobile devices (which includes Tablets) sold than PCs and signs that Smartphone sales outstripping feature phone sales in US/EU

      • That said. still enormous unconverted user base with 835 million Smartphone users against 5.6 billion mobile device subscribers.

      • Apple getting plenty of headlines right now, but it’s Android mobile devices with the remarkable quarter on quarter ramp up – jumping from 20million to 150million units shipped in between quarters 7 and 11 post-launch.

      • Global mobile success story continues with app/ad revenue up by a factor of 17 between 2008 and 2011 to a figure of $12billion.

      Touchy, feely:

      • Meeker calls out the latest trend in the evolution of human computer interaction being from text command lines to graphical user interfaces (GUI) to natural user interfaces. Yes, Steve gets a name check too.

      Cash is no longer king?:

      • E-commerce story continues to be one of growth through tough economic times but plenty of room to grow.

      • Again the big story is growth in mobile commerce with ebay and PayPal doubling or more their gross mobile sales/payments since 2010.

      • The uplift in mobile e-commerce activity has been of particularly benefit to local commerce through the plethora of location aware discount offer aggregators.

      Power to the people:

      • Meeker identifies overarching mega-trend as the empowerment of people via connected devices.

      • She references the Twitter traffic patterns post Japanese earthquake, the fact that 200million Indian farmers currently receive government subsidy payments via mobile devices and 85% of global population are now covered by commercial wireless signals versus 80% being on electricity grid.

    • Google #Firestarters 3: Building A New Agency OS

      30th September 11

      Posted by Mel Exon

      Posted in transformational change

      For the third event in the Google #Firestarters series its curator extraordinaire, Neil Perkin, chose to tackle the issues of “legacy structures, processes and thinking” head-on with the question: “what might the operating system for the agency of the future look like?“.

      It’s a hairy, humbling monster of a question, not least because talk of new agency structures and ways of working so often teeters precariously on the edge of empty buzzword bingo (check out Tim Malbon’s post last year on Agile as a cargo cult).

      On Tuesday night, Martin Bailie, James Caig and I were given 20 minutes to share a response. I attempted to avoid painting a picture of an agency built of silicon, and instead set out to describe something rather more prosaic. These days, perhaps more than ever, agencies are almost ALL about culture; their operating system a set of programs designed to encourage creativity and responsive behaviour, not codify inflexible structures and processes. Get the culture right and the rest follows. So the question becomes: what sort of agency culture do you want to create or be a part of? And what about all the contextual stuff we perhaps need to consider first?



      A simple take on the impact of technology

      We’ve known for years that the opportunities to buy mass attention are shrinking by the day, just as the opportunities to earn and measure attention become ever more enticingly available. If today Google’s Panda algorithm places ever more pressure on businesses to boost the signal not increase the noise and Facebook’s EdgeRank reduces the visibility of brands that send users to sleep, imagine what this will be like in future. At its simplest, it adds up to the same thing: ALL marketing – not just the rare handful of brands that regularly win awards – needs to be *genuinely* useful or entertaining. If  not, marketing will become that thing that marketers and agencies fear the most: unseen and unheard.

      If we can just wake up to this fact, this is a show-stoppingly great moment in time for our industry. There simply isn’t room for me-too, clutter-up-your-life, half-baked ideas, or one way messages dumped on the web dressed up to look “interactive”. However, there is lots of room for marketing done with skill and purpose, that people want to share, remix and make their own.

      I’m calling this Marketing Singularity – an absurd title, which I’ll explain it in a second. For now, I just want to restate how it feels that we’re at a tipping point in our industry’s life cycle. If we can just set ourselves straight, it’s going to be epic. Let me explain why and how…

      Is the pace of change exponential or logarithmic?

      Let’s start with a question that’s at the root of why we’re having this conversation in the first place: the oft-discussed pace of change. Jeremy pointed me to a speech made earlier this month by Ben Hammersley, who spoke with provocative eloquence about an incumbent generation of leaders losing ground on a ‘Internet era’ revolution racing away from them. Around the same time, Matt Edgar wrote a spirited rebuttal to the common assumption that the pace of change is accelerating.. It feels important to decide where you sit on this debate, because if the pace of change is exponential, then it follows we need to have systems in place that encourage us to plan a lot further ahead – or react more nimbly – than we have currently. Or perhaps that isn’t the point. The pace of change may or may not be accelerating, but the pace of life is de facto faster than it was, say, five years ago. And whilst Matt questions whether technology’s exponential rate of change actually impacts on our lives to the same degree, I find that a peculiar assumption. Technology doesn’t sit on the sidelines of our lives these days: it’s embedded, root and branch. What’s more, the technology companies themselves regard speed as a competitive advantage (“Better products, faster” – Larry Page, Google shareholders’ meeting, 2011). Last week’s avalanche of tech news (again) is a case in point.

      Marketing Singularity?

      In fact you could argue we’re approaching Marketing Singularity: the point at which marketing is forced to become exponentially better, until it is so useful or entertaining it ceases to be a separate, stand-alone, one-way message and instead becomes indistinguishable from the product or service it promotes.

      It might be content, it might be a framework or a game that invites participation; or even participation that gets displayed as a game. Platforms are brand operating systems, campaigns are applications. As Ben pointed out earlier this year, these are not binary.

      Marketing as a profit centre, not a cost

      Taking this to its logical conclusion, shouldn’t we aim to create marketing products and services that are so good, people are prepared to pay for them? Even if this approach isn’t what’s required (perhaps a Freemium model is the way to begin), I like the responsibility it places upon our shoulders: make marketing valuable to people. Looking further out, we may look back on the days we spent millions of dollars just paying for the privilege to reach people as a little odd. Brands like Audi and Red Bull are early experimenters in the guise of brands as committed media owners / publishers.

      The kind of agency OS this demands

      A few programs for starters:

      Reductive thinking everywhere

      At Labs, we admire the ruthless economy, flex and energy of a great start up as much as the next person. Kickstarter and Instagram are two of the better known examples of Minimum Viable Product thinking. For any agency worth their salt, the fundamental principles of MVP should not feel new. Great brand strategy and creative have *always* been about the art of sacrifice. The task now is to apply that mindset throughout agency departments: reduce to MVP, then listen (data) and pivot as required. This becomes all the more important when we look at shifts in business stability: from long periods of stability and short periods of disruption, to the reverse. This is a model for marketing too – let’s get comfortable with an environment that needs to flex and morph.

      Silicon vs carbon

      As Rishad Tobaccowala said a few days ago, ‘the world may be digital, but people are analog.” Any agency OS needs to be built around people, not technology.

      ‘Big is a collection of smalls’

      People habitually join agencies like BBH from colleges and smaller agencies because they want to do something at SCALE. Accordingly, the very last thing we need to do is shy away from growth. Instead, the best agencies are increasingly breaking into nimbler, cross-functional teams, often with hybrid skills and collaborative in mindset. As Nigel Bogle puts it, ‘big is a collection of smalls’. Teams with autonomy, but access to shared services.

      Whilst we should cast for the client or task in question (don’t take the team structure I sketched too literally), it’s worth drawing attention to the ‘broker’ role. If you’re interested in non-traditional media partnerships and thinking, you need a deal maker in your team.

      Networked, versus in a network

      We cannot do everything ourselves. With every layer of complexity, comes a deeper requirement to nurture and build strong external partnerships. Labs is a product of its network, plain and simple.

      Foster Renaissance (wo)men

      We’ve said this before, but we’re living through a Renaissance period. To be successful, we need fearless people who want to collaborate and learn from other industries. Deal makers, entrepreneurs, makers.. The people who never hold back from making the thing they dream of, just because the tools don’t exist today. Because they know they’ll exist tomorrow.

      Make real things

      You don’t need a 3D printer to make stuff or experience the benefits of making a proto-type of your idea. Making an early version of something – even if it’s rubbish (many years ago, I remember taking a mockup of a Boddingtons Tetra pak to a client meeting, to sell the idea of ‘Fresh Cream’. They hated it) – teaches you stuff you don’t find out if you stay in theory mode. So go buy a soldering iron and make something… There’s also a non-too-subtle shift going on between experiences that live entirely online (potentially interesting) and those that straddle the real world too (potentially fascinating). Check out Russell Davies’ piece for Campaign and the brilliant Marc Owens’ Avatar Machine if you want to read more.

      Stay curious

      Adopting and encouraging a culture of constant learning sounds exhausting, but it may well be the only way to stay sane. Learn to code, get comfortable in the wild, stay open, stay curious – I’m enjoying playing with my Weavr thanks to @zeroinfluencer – create your own here. A phrase used often at BBH and which turned up on our login screens this summer is perhaps an apt way to close: “Do interesting things and interesting things will happen to you.”

      ***

      We’d love to hear what you think – what are the other programs you’d want to include in an agency OS?

      Check out Martin’s presentation here and James’s here.

      Thank you to Neil, James, Martin and everyone who came and contributed… as always, the discussion got most interesting when the formal presentations stopped and everyone piled in. Aside from following the conversation here #Firestarters or nicely storified here, there have also been several thought provoking response posts (check out this one here from Simon Kendrick or this one here from Shea Warnes for starters). As always, Neil’s follow-up post will be one to look out for too.


    • BBH London is looking for a UX Principal

      29th September 11

      Posted by Mel Exon

      Posted in People, User Experience

      Author: Adam Powers, Head of User Experience, BBH London

      The User Experience (UX) Principal will have responsibility for delivering world-class UX for BBH London across a diverse, valuable portfolio of clients.

      We are looking for someone with a tenacious, entrepreneurial spirit; someone who’s happiest rolling up their sleeves in the relentless pursuit of useful and beautiful solutions in an often dynamic and changing environment. They must also be nice. Read full post

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